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4GEMWORKS COMPLETE FOUR COLOR EMPORIUM
Four Color 646
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COMIC DETAILS
Comic Description:
Four Color #646 Universal
Grade:
9.4
Page Quality:
OFF-WHITE TO WHITE
Certification #:
0198381013
Owner:
4GEMWORKS
SET DETAILS
Winning Set:
4GEMWORKS COMPLETE FOUR COLOR EMPORIUM
Date Added:
10/16/2012
Research:
See CGC's Census Report for this Comic
Owner's Description
Dotty Dripple and Taffy (#1). 9/55 File Copy
Single best copy of the three graded to date. Interesting info from Don markstein's Toonpedia (used with permission). As concepts for comic strips go, that of Dotty Dripple wasn't exactly dripping with originality. It was a domestic comedy, the sort of thing the comics pages had been full of since the days of Toots & Casper and The Bungle Family. Specifically, it appears to have been modeled on Chic Young's wildly successful Blondie, but with minor variations. But it made readers laugh, and did so well enough and reliably enough that it maintained a presence in the funnies for more than a quarter of a century. Cartoonist Buford Tune (the most colorful of whose prior credits was to have painted balloons in Macy's Thanksgiving Day Parade) created Dotty Dripple in 1944. It wasn't his first family strip — he'd taken over Ben Batsford's Doings of the Duffs back in '28. The strip was distributed by Publishers Syndicate, which also did Judge Parker, Apple Mary and several others. Through a series of mergers and acquisitions, this syndicate, like quite a few other small ones, eventually wound up part of King Features. Survivors from its offerings are now distributed by King. Dotty's family included husband Horace, daughter Taffy, and dog Pepper. Taffy was a middle-to-late pre-teen, and Pepper was one of those miscellaneous breeds about the right size to be a good companion for a kid her age — which didn't change much over the years, tho Taffy did later get a younger brother, Wilbert. Horace was, like many young-ish dads in comics and, a short time later, on TV, nothing but a big kid himself. Dotty was the one who held the family together, which included keeping Horace focused on being a grown-up. Dotty's comics didn't just appear in the newspapers. In 1946, she was licensed for comic books by Magazine Enterprises (which also licensed Texas Slim and Teena from the newspapers). That publisher put her in a few issues of A-One Comics (its catch-all title where everything from Dogface Dooley to The Ghost Rider appeared at one time or another) before giving her a title of her own. Harvey Comics (whose other newspaper strip adaptations included Joe Palooka and Dick Tracy) took over that title with its third issue. Harvey kept it running until 1955, 42 issues in all, tho it changed the name to Horace and Dotty Dripple in 1952. Dell Comics devoted a half-dozen issues of Four Color Comics (its own catch-all title, which did everything from Bugs Bunny to Brain Boy) to Dotty and Taffy between 1955 and '58. Dotty's was a formula that had worked before (e.g., The Nebbs) and would work again (e.g., FoxTrot). This time, it worked as long as Buford Tune (who employed assistants but basically ran the show himself) stuck with it, which was three decades. The strip ended in 1974. Tune died in 1989. http://toonopedia.com/dripple.htm
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