The Files of Mammon
Spawn 150 Sketch Cover

COMIC DETAILS

Comic Description: Spawn #150 Universal
Grade: 9.9
Page Quality: WHITE
Certification #: 0193747049
Owner: newshane

SET DETAILS

Winning Set: The Files of Mammon
Date Added: 2/8/2013
Research: See CGC's Census Report for this Comic

Owner's Description


TITLE: Spawn

ISSUE: 150

VARIANT: Sketch Edition

DATE: 10/05

WRITERS: Todd McFarlane, Brian Holguin, and David Hine

ARTISTS: Angel Medina and Phillip Tan (pencils)

ARTISTS: Danny Miki, Victor Olazaba, Allen Martinez, and Edgar Tadeo (inks)

ARTISTS: Todd McFarlane (front cover) and Jim Lee (back cover)

ARTIST: Tom Orzechowski (letters)

ARTISTS: Brian Haberlin and Andy Troy (color)

ARTISTS: Ben Timmreck and Jason Gonzalez (graphic design)

DEDICATION: Chester Brown

NOTES OF INTEREST: There were multiple covers for this issue drawn by a variety of artists: Todd McFarlane, Greg Capullo, Jim Lee, and Phillip Tan. There was also a black and white sketch incentive with a cover by Todd McFarlane and a back cover by Jim Lee. This particular comic is an example of the Sketch Variant. This issue marks the 1st apperances of: Christopher Welland,
Thamuz, The Disciple, and The Man of Miracles. In this issue, The Mississippi river runs red with blood - the first stage of armageddon.

ISSUE SYNOPSIS: - Thamuz Storyline (part 1 of 4)

Spawn returns to the Deadzone where he is confronted by the Disciple – the greatest warrior in Heaven. Spawn is quickly dismembered by his foe and the pieces of his body are soon gathered by two parties – demons hired by Mammon and the mysterious Man of Miracles. Each portion of Spawn’s body begins a separate journey as Thamuz, the Grand Inquisitor, swears to uncover Spawn’s deepest secret. Meanwhile, the fate of humanity is placed in the hands of a thirteen-year-old boy.

CENSUS REPORT: Tied for top census copy as of 6/13

REFLECTIONS: I'm very happy to have landed this beautiful example of the 150 variant cover. I also own the other variant issues of this title. The front of the comic captures McFarlane's work while the reverse cover is full of spectacular detail from Jim Lee.
 
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